TITLE | INSTR/DUR. | LISTEN | SCORE |
---|---|---|---|
Emergent Isle (2023) | monosynth, piano, string orchestra / 04:00 | >PLAY | |
Heavenelle (2022) Commissioned by Doelen Ensemble | solo piano, chamber ensemble / 04:30 | >PLAY | |
Run Chime (2021) Commissioned by Norwegian Chamber Orchestra | solo percussion, chamber strings / 04:30 | GET | |
Forecast (2021) Commissioned by Elliott Gaston Ross | solo percussion, field recordings / 13:00 | >PLAY | GET |
Short Films About Bamff Wildland (2020 – ) | various instr/durations | >PLAY | |
Nascent Forms (2019) Commissioned by a consortium organised by Colin Currie and Cameron Leach | mallet percussion quartet / 16:00 | >PLAY | GET |
Spiel (2018) Commissioned by Capital University, Columbus, Ohio | solo percussion, symphonic winds, audio recording / 18:00 | >PLAY | |
From Thin Air (2018) | album recording / 45:00 | >PLAY | |
Musica Antiqua Tronica (2018) | album recording / 57:00 | >PLAY | |
We Made Us (2017) Commissioned by Scottish Ensemble | solo percussion, solo piano, electronics, strings / 30:00 | >PLAY | |
Decade Zero (2016) Commissioned by Cheltenham Jazz Festival, Manchester Jazz Festival, London Jazz Festival with support from PRS for Music Foundation | piano, bass, drum kit, chamber ensemble / 35:00 | >PLAY | |
Thrice Into Flames (2017) Commissioned for a consortium organised by David Mitchell | solo percussion, audio recording / 10:30 | >PLAY | GET |
Vigil (2016) Commissioned by Cheltenham Festival | solo piano, electronics, chamber ensemble / 30:00 | >PLAY | |
História Futura (2015) Commissioned by Pedro Segundo and funded by City Music Foundation | solo percussion / 10:00 | ||
In Adversity (2015) Commissioned by Piano Circus | six pianos, MIDI keyboard / 15:00 | ||
Trophic Cascades (2014) Commissioned by De Doelen concert hall, Rotterdam and Capital University, Columbus, Ohio | two pianos, two percussion / 30:00 | >PLAY | GET |
Troglodytes Troglodytes (2014) | album recording with Elo Masing | >PLAY | |
Autophonica (2014) Commissioned by Care in the Community Recordings | pianola / 05:00 | ||
The Pianos Work (2014) | album recording | >PLAY | |
A Greek Tragedy (2014) Commissioned by Tom Sherwood for the May 2014 Modern Snare Drum Competition, Atlanta | solo snare drums, audio recording / 06:00 | >PLAY | GET |
Habitual Behaviour (2013) | vib, synths, piano, bass, drums / 10:00 | ||
Forgotten Lands (2012) Commissioned for Ole Edvard Antonsen by the Norwegian Radio Orchestra | solo trumpet, orchestra / 22:00 | >PLAY | |
Towards Future’s Embrace (2012) Commissioned by Iain and Elizabeth Currie, the Chamber Orchestra of Lapland and the Luosto Classic Festival | solo percussion, chamber orchestra / 24:00 | >PLAY | GET |
Run Chime (2011) Commissioned by Colin Currie and the Miró Quartet | solo percussion, string quartet / 04:00 | >PLAY | GET |
Blood Wedding (2010) Commissioned by the foundation of the Finnish National Opera | symphony orchestra / 48:00 | >PLAY | |
And our faces vanish like water (2010) Commissioned by Stadttheater Bern for Bern Ballett | soprano, human beatbox / 13:00 | ||
27m² (2009) | feature film score | ||
Amaranthine (2009) | electronics / 05:30 | ||
Sturmhöhe (Wuthering Heights) (2009) Commissioned by The Cathy Marston Project | contrabass, sampler / 70:00 | >PLAY | |
A Tale of Two Cities (2008) Commissioned by Northern Ballet Theatre | orchestra / 90:00 | ||
Five Movements for Arcana (2006) Commissioned by the Cathy Marston Project | two violins, piano, percussion 20:00 | ||
Lucid Intervals (2006) Commissioned for Colin Currie and Hakan Hardenberger by the Borletti-Buitoni Trust | flugelhorn/trumpet, mallet percussion / 10:00 | ||
Shore (2006) Commissioned by Dance City and the Northumberland Arts Forum | voice, tenor sax, northumbrian smallpipes, choir / 45:00 | ||
Incantation (2005) Commissioned by BBC Radio 3 | violin, el. guitar, piano, drums, electronics / 15:00 | ||
Designing Clouds (2005) Commissioned by BBC Radio 3 | el. guitar, drums, electronics / 12:00 | >PLAY | |
Desert Life (2005) Commissioned by BBC Radio 3 | violin, piano, drums, synth 15:00 | >PLAY | |
Ghosts (2005) Commissioned by the Royal Opera House, Covent Garden, London | wind/string/percussion quintet, audio recording / 60:00 | >PLAY | |
You, Cuba (2004) Commissioned by Channel 4 and MJW Productions | violin, piano, percussion / 12:00 | >PLAY | |
Spellbound (2004) Commissioned by Radio France and l’Orchestre National de Montpellier | piano, synths, drum kit, orchestra / 25:00 | GET | |
Unspoken (2003) Commissioned by Katia Labèque | album recording | >PLAY | |
On Impulse (2003) Commissioned by Matthew Barley | cello, percussion / 10:00 | GET | |
Borrowed Time (2003) Commissioned by Westminster Abbey | solo percussion, organ / 10:00 | >PLAY | GET |
Predicaments (2003) Commissioned by Radio France | piano, percussion / 10:30 | >PLAY | GET |
Exile (2002) Commissioned by Katia and Marielle Labèque | two pianos, percussion, sampler / 18:00 | >PLAY | GET |
Sense & Innocence (2002) Commissioned by the Lucerne Festival | solo percussion, audio recording / 10:00 | >PLAY | GET |
Lifetimes (2002) | 12 strings, solo percussion / 12:00 | GET | |
Broken Fiction (2002) Commissioned by Between the Notes | 5 musicians / 11:00 | GET | |
Falling to the Sky (2001) Commissioned by Viktoria Mullova and Katia Labèque | violin, piano / 13:00 | >PLAY | GET |
Shapeshifter (2001) Commissioned by Colin Currie and Sam Walton | percussion duet / 07:30 | GET | |
Sketch (2001) Commissioned by Katia Labèque | solo piano / 03:00 | >PLAY | GET |
Duality (2000) | violin, piano / 04:30 | >PLAY | |
Trilogy (2000) Commissioned by Colin Currie | solo percussion, audio recording / 13:00 | >PLAY | GET |